Woman Beneath the Brim 2026
Oil and Acrylics on canvas
24 x 30 inches (60.96cm × 76.2cm)
Ritual of Appearance 2026
Oil and Acrylics Ceramic Sculpture
10 Dia x 18 inches (25.4cm × 45.72cm)
The Weight of a Collar 2026
Oil and Acrylics on Canvas
24 × 48 inches (60.96cm × 121.92cm)
The Wrestlers 2026
Canvas Sculpture
56 × 30 × 10 inches (142.42cm × 76.20cm x 25.4cm)
Sleepers 2026
Two Sculptures
Canvas, Concrete and Brick
Each 19 × 10 × 3 inches (25.4cm × 49.26cm)
Undoing 2026
Oil and Acrylics on Canvas
24 × 48 inches (60.96cm × 121.92cm)
La Petite Danseuse Rouge 2026
Mixed Media Concrete Sculpture
68 × 68 × 18 inches (172.72cm x 172.72cm x 45.72cm)
Apple 2026
Acrylics on canvas
24 × 30 inches (60.96cm × 76.20cm)
Crimson Path 2026
Acrylics on canvas
24 × 30 inches (60.96cm × 76.20cm)
Snow White 2026
Mixed Media Collage on Canvas
16 × 20 inches (40.64cm x 50.8cm)
Sleeping Beauty 2026
Mixed Media Collage on Canvas
16 × 20 inches (40.64cm x 50.8cm)
Rapunzel 2026
Mixed Media Collage on Canvas
16 × 20 inches (40.64cm x 50.8cm)
Little Red 2026
Mixed Media Collage on Canvas
16 × 20 inches (40.64cm x 50.8cm)
Cinderella 2026
Mixed Media Collage on Canvas
16 × 20 inches (40.64cm x 50.8cm)
Seeds 2026
Mixed Media Collage on Canvas
12 × 16 inches (30.48cm × 40.64cm)
Norma 2026
Mixed Media Collage on Canvas
12 × 16 inches (30.48cm × 40.64cm)
Hopes and Dreams 2026
Mixed Media Collage on Canvas
12 × 16 inches (30.48cm × 40.64cm)
Between Two Worlds 2026
Mixed Media Collage on Canvas
12 × 16 inches (30.48cm × 40.64cm)
This collection brings together a series of works that examine how women move through, resist, and reshape the structures that define their lives. Across the collection, a red thread, at times literal, at times symbolic, runs through each piece, binding them in a shared language of tension, endurance, and connection. It appears as line, as mark, as gesture: a quiet but insistent presence that traces both fracture and continuity.
For women, status has historically been assigned rather than achieved. It has been determined not by their individual capabilities, but by the roles society expects them to fill, as mothers, daughters, wives, and caregivers. Gender stratification, the process by which gender differences translate into unequal power and privilege, is the structural mechanism that keeps women systematically ranked below men across most social institutions. This isn’t just a cultural attitude; it is embedded in legal systems, labor markets, family structures, and educational institutions.
The works navigate the space between visibility and erasure, strength and strain, intimacy and public expectation. Bodies emerge as sites of memory and negotiation, carrying the imprints of care and resistance. The red wire becomes a conduit through these experiences, suggesting circulation, restriction, and repair all at once. It links figures, divides surfaces, and maps invisible pressures, creating a visual rhythm that moves the viewer from one piece to the next.
In several works, the figure is staged within imposed roles, most notably in the recurring presence of women with a Pierrot face, where the mask and identity blur. The Pierrot here is reimagined: no longer passive, but alert, holding tension beneath a composed exterior. The red line intersects these figures, at times binding, at times unraveling them, exposing the fragile boundary between what is performed and what is felt.
Rather than presenting resilience as a fixed state, the collection frames it as an active, evolving force. The red thread does not resolve, it persists. It tightens, loosens, connects, and resists, echoing the complexities of lived experience. Together, the works form a network of quiet intensities, inviting viewers to trace the lines that hold, divide, and ultimately reconfigure the conditions of being.